Film Commission for NOT DYING

I (Jamie Hale) am seeking D/deaf and/or disabled filmmakers to film and edit video/audio for short poetry films to accompany my solo poetry show NOT DYING at the Barbican Centre this autumn. I am looking for filmmakers to produce this, and would like a quote and to commission someone (subject to funding confirmation in July, no work to be done before funding is confirmed). The filming will take place in London.

This brief will preferably be given to a D/deaf or disabled filmmaker as I am trying to ensure that all money stays in D/deaf and/or disabled communities. Filming will be in wheelchair accessible venues, filming and editing of both video and audio will be required.

Content notes include death and dying, hospitals, suicide, sex, social care, disablism

  •  The filming and editing of several short audio and visual poetry films totally up to 15 minutes of film
    •  Film of hands being washed – 30 seconds
    •  Film of poem about dying – 1.5 minutes
    •  Films of 4 separate poetic stanzas about suicide – 2 minutes in total
    •  Films of single poetry line x3 – 30 seconds
    •  Filming several shots and editing with existing film into a 2 minute sequence
    •  Up to 7.5 minutes of other poetry videoed and/or edited
  •  The filming and rough editing of an (approx.) 40 minute poetry show (filmed in segments of approx. 5 minutes and edited into one film as contingency against myself being too ill to perform at the last minute

Anticipated filming: 1 – 1.5 days for short audio and visual poetry films, 1 – 1.5 days for poetry show film

Plus editing

If you are potentially interested, please get in touch with cripticshowcase@gmail.com to send examples of your work, provide a quote, and ask any questions

Busy shortlisting

Hello!

Just an update from the CRIPtic team – we’re currently in the midst of shortlisting our incredible applicants. Where there’s something missing from your application, we think we’ve gotten in touch with you by now, so everything is under consideration.

If you applied to perform, then by the 14th April we will have let you know whether you’re shortlisted for interview, or whether we won’t be progressing your application. If you’re offered an interview, that will take place in the first week of May.

After that is the long delay, in which we’ll be applying for other funding, to make CRIPtic as big and successful as possible, after which we will confirm the final line-up, which is planned to happen by the 14th July.

If you’ve applied to work on CRIPtic, we’re not going to be able to shortlist by the 14th April – we’ve received so many performance applications that we’ve had to delay shortlisting until the first week of May. We’ll let you know then whether you’ve been shortlisted for interview, and interviews should take place by the second week of May. We may make you a confirmed offer at that point, or we may make you an offer contingent on us receiving the funding we apply for.

Hope you’re all having a great weekend!

CRIPtic team


Incredible applicants!

The applications from people hoping to perform and work at CRIPtic are now in, and they’re of an incredibly high quality. We have everything from musicians, poets and comedians to actors, dancers, and clowns. The range of proposals and ideas is excellent and we’re very excited to start looking through them.

Over the next few weeks, the CRIPtic team will immerse ourselves in exciting disability art, and start getting in touch with people where we want more information, so we can begin to arrange interviews and shortlist acts.

We will also be looking through the applications to work at CRIPtic – we’ve had some wonderful people apply, with bucketloads of experience, and interviewing and arranging a team will be great fun.

Thanks to everyone who applied to perform or work at CRIPtic (or both). It’s so heartwarming and encouraging to be exposed to the variety and extent of d/Deaf and disabled talent out there.

Pitches & Applications open

I’m pleased to tell you applications / pitches for performers and non-performing creatives in CRIPtic showcase is now open.

It is so rare for D/deaf and disabled artists and creatives to be given room to tell our own stories. So often we’re other people’s characters in spaces designed by, and for non-disabled/hearing people, packaged for non-disabled/hearing audiences. CRIPtic is our space, to do as we wish. To tell our own stories, our own way. To celebrate our selves.

If you’re D/deaf or disabled and do something you could do on stage, apply / pitch your idea for the CRIPtic showcase. Built around themes of the anger, joy, and resilience of living as D/deaf and disabled in the world, we’re looking for performers to bring something new and different.

As a result, we’re open to any type of performance – if you can do it on stage, why not do it on stage at the Barbican.

For more information about the call for performers see (link)

As well as looking for performers, we’re also looking for non-performing creatives, so if you’re D/deaf or disabled and do anything theatre-associated – director, producer, lighting or sound, photographer, videographer, choreographer – whatever you do, bring it.

The idea is to put together an entirely D/deaf and disabled team, for Jamie’s show NOT DYING and for the broader CRIPtic showcase.

For more about the call for non-performing creatives / backstage team (link)

Launching CRIPtic and NOT DYING

I’m very excited to tell you that I’ll be bringing my solo show to the Barbican on the 11th and 12th October 2019, and curating a showcase of disabled artists to accompany it – see the CRIPtic Showcase website (link).

I have been developing my solo show over a number of years, and in October 2018 took it to the Barbican to work on it through the OpenLab scheme. This was very successful, and by the end I had a show (almost – there’s still some work to do on it).

Having taken part in Transpose (link), a showcase of trans artists that has been happening annually at the Barbican, I saw that there was room in the world for a showcase of disabled artists – everything from singers and dancers to poets, actors, magicians, and anything else that can be done on stage!

I pitched the idea to the Barbican, and we decided to create a double bill – my solo show NOT DYING, and a showcase of disabled artists to accompany it.

NOT DYING is my solo poetry show about my process of coming to terms with the presence of death in my life – and how I focus on living with, despite, and through that. It plumbs the depths of misery that can accompany life-threatening illness, before changing focus to ask “how can I, as a disabled person, exist in the world?”.

To answer that question, it covers everything from comedy to tragedy, my sex life to incontinence pads, Inspirational Content to anger. It refuses to accept my life is a tragedy, whilst also acknowledging the grief of progressive impairment, and it ends on a note of joy, defiance, and resilience.

The rest of the CRIPtic showcase will be 4-5 other artists with 15 minute sets, themed around the anger, resilience, and joy of living in the world as D/deaf & disabled. I’ll be doing an open application/pitching process for performers and non-performing creatives, and will let everyone know when it opens for applications. It will be paid.

Tickets for CRIPtic go on sale in Spring. To be the first to hear, why not join our email list (link), and follow us on Twitter (link) and Facebook (link).

You can also follow Jamie Hale’s progress with NOT DYING on their Twitter (link) and Facebook (link).

Sign up for email updates on the Barbican ticketing here (link). You can also join their Access Membership scheme for disabled people (link), and their Young Barbican Membership scheme for 14-25s (link).